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Edo-Born Nigerian Singer, Jays Million Releases His Debut Project Titled; “The Journey EP”

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Sunday Kelvin Badaiki professionally known as Jays Million is a singer, song writer & ex-music producer who hails from Owan part of Edo state.
Jays Million was born on March 16, 1994 in Port Harcourt, Nigeria. He  is a super talented singer and his love for music made him set up his studio in school as a producer and a singer.
He got inspired by his late sister who always believed in his dream, he has also a strong love for his mother who has been a backbone in his life. The kind of affection he got from these women growing up has greatly influenced his sound for love music.

The singer, Jays Million who recently penned a record deal with Sunmau Entertainment Company  has released his debut project titled; “The Journey EP.”

 “The Journey EP” is a solid 5-track EP with production credit from; TwinBeatz & KaelzBeatz.

STREAM/DOWNLOAD EP HERE 

Follow him on social media;

Instagram: Iamjaysmillion
Triller: Iamjaysmillion
Facebook: Jaysmillion
Tiktok: Jaysmillion

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Singer Ruger speaks on jealousy in the Nigerian music industry

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Singer Ruger speaks on jealousy in the Nigerian music industry

Speaking on the recent episode of the Bahd And Boujee Podcast, Ruger explained to co-hosts Tolanibaj and Moet Abebe that jealousy is the enemy when it comes to friendships. Using himself as an example, he stressed that envy can only come in between a friendship if the parties involved are naturally envious.

He said, “I feel like it all depends on the kind of people they are. For example, if I’m not the kind of person that is generally envious, then I can’t be envious of my fellow artistes. I’d push him to do good for himself and everything because no matter what stage I am in my life or in my music, whether I’m not really popping at that time or I’m popping, I’m still going to push him. It depends on the kind of person you are as an individual. There’s no manual to it.”

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The hosts then asked the singer about the dynamics of the music industry, particularly regarding cliques, to which he said, “There may be cliques in the industry but I don’t really know. I’m a clique by myself.”

He continued, emphasising the need for support, “When artists from here meet each other outside the country, there’s unity, because when we’re out there, nobody can touch us, no one can misbehave. Everyone is supporting support each other and that’s the thing.”

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‘Bob Hearts Abishola’ Fọlákẹ́ Olówófôyekù wants to launch new Nigerian music genre

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‘Bob Hearts Abishola’ Fọlákẹ́ Olówófôyekù wants to launch new Nigerian music genre

After several attempts to get into the University of Lagos, at age 18 she left the country altogether and settled in New York, a city that will bring her multiple creative opportunities. Her first university major was Economics, but it wasn’t for her, so she switched to Theatre.

For her strict father, Babatunji Olówófôyekù, a career as a performer was unacceptable. He had studied Economics and then Law, and became a Senior Advocate of Nigeria prominent enough to get his own Wikipedia page. He learned to play the piano for fun. But for his daughter to do it professionally would have been over his dead body.

Away from her family, she felt she could be someone else, someone without expectations back home choking her down.

Like her father, she had taken piano lessons already in Nigeria. With money she could scrape from her allowance, she bought a guitar and taught herself to play bass. Once she played for David Bowie. And many years later when the role of Abishola came, she stepped into Hollywood-level fame.

These days, Olówófôyekù spends her time rubbing shoulders with Beyoncé at the Grammys or playing her guitar on The Kelly Clarkson Show.

I call America my creative liberation,” she told Pulse Nigeria in February. “I was welcomed in a way I’ve never been welcomed artistically instantly.”

But this life has not come without any emotional toll.

Fọlákẹ́ Olówófôyekù as Abishola and Fọlákẹ́ at the Fashion Trust U.S. Cocktail Event [Instagram/thefolake]

“It’s not ideal for one to leave their home and family in pursuit of better in another man’s land,” she said. “It’s been intense.” All those years she got support from only a handful of family members. Her mother was a big cheerleader who supported her career, from when she did basketball, to modelling, everything in between, and finally acting. “She came to a lot of my shows and she would come back to my dad, reenacted for my father before they both passed away,” she said.

For her father, whom she both admired and worshipped, only one profession would have assuaged his appetite, Law.

The only thing that was respected was Law in my father’s eyes. And all his children, all 18 of us, were expected to follow suit. I have family members who became architects, family members who became doctors, but he still expected them to go to law school,” she said.

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It was this love for the Daddy, wanting to play by the Daddy’s rules that led her to acting.

The trauma that comes with your family, the most loved people in your life telling you that you cannot accomplish something has been heavy on my heart for a long time,” she said. “And that is actually what led me to acting. I was like, OK, maybe if I go into acting, my family would be more accepting.”

In all those years she never gave up on music, but being at the Grammys, rubbing shoulders with music royalty, made it seem both reachable and of the gravest urgency. “That’s the pinnacle of being a musician, going to the Grammys,” she said.

She has already dropped some songs, Ehen Ehen Okay Okay and Melanin No Ni. But as Bob Hearts Abishola wraps up its fifth and final season, she is ready to take her music more seriously. “I knew from a young age that I wanted to do music. I think I’m a better musician than I am an actress,” she said. “I’m gonna be releasing new music starting in May once the show wraps. My focus would entirely be on music.”

With her music, she wants to spread the good news of love. Coming from Nigeria, a country deeply in its era of discontent, the concept of love can sometimes come with a wicked edge. In America, through therapy, she learned to release by doing the work of mindfulness.

I remember one of the times when I was in therapy and my therapist told me about how I should construct a sentence to somebody because of how I was feeling and I was like, ‘No one fucking talks to anybody like that.’ And she was like, ‘What? They do?’And I was laughing at her,” she said.

Look, I’m a proper Naija person. That barrier still exists in my relationship and learning how to communicate and all that shit.”

But how does she remain Nigerian, while incorporating the Western methods of nourishing the spirit and soul?

I don’t think losing one’s culture is a thing to be worried about when exploring a healthier way of being, when exploring mindfulness. Because what happens when you’re exploring those things? You go inward. It’s not an external thing,” she said.

Her go-to word these days is vitality. “Vitality is an important term for me these days. I’m looking for vitality in everything I do. I want to feed my vitality,” she said. “There’s so much more for me to offer. So much more for me to give. There’s so much more love for me to spread. And that’s my sole purpose as far as Naija is concerned, just the love that I wanted, I wanna give back.”

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When Olówófôyekù thinks about love, having done the work of readjusting how she shows it and how she wants to receive it, what comes to mind? “Peace,” she said. “But also it can be painful, the growth when you’re really trying to practice love in a healthy way. The journey towards it can be emotional. That’s what I mean by pain. It’s emotional. It’s potent. But on the other side of doing the work is peace and well-being.”

Even though she wants Nigerians to begin the work of spreading love and building themselves anew, the unique cultural tenors of the country have not eluded her from all her years in America.

I think we have to acknowledge the fact that a lot of energy went into mental warfare against our people. And when that was done, the strategy was that it was going to be done to us for generations. So I’ll leave that there,” she said.

Fọlákẹ́ Olówófôyekù and Oprah at the Grammys [Fọlákẹ́]

I think what would be extremely helpful to us is focusing more on a change in our mindset. So then the question is, well, what can be done? We have to take it upon ourselves to educate ourselves on love. Love is the biggest thing. With all the religion we have in Naija, we should be practicing love. All religion is based on love. If we all come from a place of love, we will all be OK. But, I know how long it took me to find the concept of love. You have to have room to think about love.”

When her music drops in May, how would she describe it?

We’re calling it Afrojoy,” she said. “I’m pioneering that genre with the electric guitar and Afrobeats, and Afrorock. Let’s call it Afrojoy.

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Wizkid killed rap, now trying to kill Afrobeats – Terry Tha Rapman asserts

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Wizkid killed rap, now trying to kill Afrobeats – Terry Tha Rapman asserts

In a contentious remark, veteran Nigerian rapper Terry Tha Rapman claims that Afrobeats singer Wizkid killed the rap genre and is now trying to do the same with the genre.

Wizkid came under fire from Terry Tha Rapman for saying recently that he is not an Afrobeats singer.

Remember how Wizkid attacked Afrobeats in a recent social media post, saying he couldn’t fit into a single genre.

Terry Tha Rapman, however, responded on the X platform, claiming that Wizkid killed rap with his statement that “rap is dead” and that with his latest outburst, he is now trying to kill Afrobeats.

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He said that Wizkid might be his next target and advised Highlife singers to be cautious around him.

Terry Tha Rapman wrote:

“First rap, now Afrobeats. How many genres Wizkid wan kill? Highlife, run o!

Following Wizkid’s outburst, Tunde Ednut, Verydarkman, and others discuss his objection to the term “Afrobeats artist.”

The Grammy-winning Nigerian musician revealed the name of his upcoming album, “Morayo,” in a series of posts on his Instagram stories on Friday night.

However, the hitmaker of “Ojuelegba,” who also released the hit song “Pakurumo” in 2011, cautioned the public that the project is not for lovers of Afrobeats.

Other celebrities from Nigeria, such as Tunde Ednut, were taken aback by Wizkid’s position after seeing his post. Afrobeats’ importance and its enduring link to Nigerian culture were emphasised by Tunde.

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Wishing Wizkid well with his next album, Tunde promised to download it in support if it lives up to his expectations.

Ednut wrote;

“WIZKID IS AT IT AGAIN TONIGHT,Oo! It is well..,We, we love Afrobeats and Afrobeats is ours forever. We are proud of it and Afrobeats is here to stay.,All the best in his forthcoming Album. If it’s good, we’ll still download it”

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